Discover the Artworks at Accademia Gallery, Florence
The Galleria dell’Accademia di Firenze may very well be reputed for housing the Statue of David. However, you only have to look closer at its exceptional collection to discover several noteworthy artworks by eminent artists. What it offers art aficionados and novices alike is a tour of the magnificent history of Florentine art.
Explore Accademia Gallery Collection
Artwork Collection at Accademia Gallery
The collection of sculptures at the Accademia Gallery is dominated by masters like Michelangelo, Brunelleschi, and Giambologna. You will find an endless stream of breath-taking statues displayed in the exquisite Hall of Prisoners. Also, the Gipsoteca Bartolini (Hall of Models) is where you can gaze upon neatly-lined rows of plaster casts and models of Bartolini and Pampaloni’s most distinguished works.
Accademia Gallery’s art collection includes paintings from the 13th century to the 19th century. Here, you will find Lorenzo Monaco’s late-Gothic artwork along with striking altarpieces from the 1500s and 1600s. You can enrich your viewing experience with the outstanding Renaissance paintings by Sandro Botticelli, Fra Bartolomeo, and Filippino Lippi. Or admire the Mannerist masterpieces by Andrea del Sarto and Pontormo. Lastly, the prized collection is rounded off by the magnificent works of 19th-century artists.
Opened in 2001, the Department of Musical Instruments allows visitors to glimpse back in time to the musical scene of the Medicean court. The collection of fifty antique musical instruments dating from the 17th to 19th century constitute an essential part of the artworks at Accademia Gallery. Do not skip the exciting opportunity to explore the different instruments which, in many cases, were the first prototypes of the musical instruments we love and use today.
The Historical archives at Accademia Gallery includes the Lorenzo Bartolini Historical Archive and the Gatti Kraus Donation.
Accademia Gallery Artworks I What To Look Out For
Trebbio Altarpiece by Sandro Botticelli
The Hall of Colossus features Botticelli’s remarkable painting, the Trebbio Altarpiece. The fine artwork was completed between 1495 and 1497 as a collaboration between Botticelli and his assistants. Its central figure is the Virgin Mary, who is seen caressing baby Jesus while sitting on a throne. It also features six distinguished saints amidst the backdrop of a garden setting.
The Tree of Life by Pacino di Buonaguida
Located in the Florentine Gothic hall of Accademia Gallery is an intriguing piece of art by Pacino di Buonaguida. Finished between 1310 and 1315, the painting depicts a crucified Christ flanked by images of important biblical events in the surrounding roundels. Moreover, its tree-like shape represents the genesis of creation with Christ as its ultimate source of life and energy. Spare a few minutes to closely examine the myriad of details packed in this one painting.
Coronation of the Virgin by Alessandro Allori
Not too far away from Michelangelo’s David in the Tribune, lies a fantastic painting realized by Alessandro Allori in 1593. The artist’s Mannerist take on the idealized biblical event of the coronation of Virgin Mary is truly refreshing. In his iteration, the heavenly scene is decked with bright and colorful flowers, which were inspired by the botanical gardens of the Medici family.
Saints Stephen, James the Great and Peter by Domenico Ghirlandaio
Ghirlandaio’s exquisite painting in the Hall of Colossus was commissioned by Stefano Pietro di Jacopo Boni and completed in 1493. The religious figures of saints Stephen, Peter, and James are depicted using rich colors and delicate tones. Ghirlandaio’s architectural know-how is exemplified in the ornate marble niches in the background, which render the image a striking quality.
Coronation of the Virgin by Jacopo di Cione
The Gothic artist Jacopo di Cione is credited with painting this incredible masterpiece in 1372. The panel painting was commissioned by the magistrates of the Mint and was also called the ‘Altarpiece of the Mint’. As was typical for its time, the scenery is heavily adorned with gold and inspires a strong religious sentiment among viewers. You can admire its dazzling scope in the hall known as Florence Between 1370 and 1430.
David by Michelangelo
The towering statue of David, over 5 meters in height, can be found in the Tribune located at the end of the Hall of Prisoners. Michelangelo’s mastery over anatomical perfection reached its zenith with the statue of David, which he completed in 1504. He labored for 3 years to show the popular biblical hero David in all his glory primed to take on the mighty Goliath. The statue's physical perfection, tense posture, and determined gaze are imbued with an electric life-like quality the world has not witnessed since.
Rape of the Sabine Women by Giambologna
Standing in the center of the Hall of Colossus is Giambologna’s masterpiece built between 1579 and 1583. The sculpture is a plaster cast model standing nearly 4 feet tall, whereas the marble sculpture can be found in the Loggia dei Lanzi at Piazza della Signoria. Giambologna masterfully conveys the antiquity scene of a Roman man abducting a Sabine woman from the neighboring town as another man crouches under his feet. The riveting scene unfolds in a serpentine formation and is one of the gallery's most prized attractions.
Emma and Julia Campbell by Lorenzo Bartolini
The chalk model by Italian sculptor Lorenzo Bartolini was designed between 1819 and 1820. All of 1.5 meters in height, this statue showcases two sisters Emma and Julia, daughters of the aristocratic Lady Charlotte Campbell, enjoying themselves as they dance the waltz. Bartolini’s exceptional artistic skills are on full display in this exceptional work of art.
Prisoners or Slave by Michelangelo
Michelangelo worked on a series of captivating statues from 1520 until 1534 named The Awakening Slave, The Young Slave, The Bearded Slave, and The Atlas Slave. He reportedly left the statues unfinished due to a lack of monetary funds. Nevertheless, the statues made a lasting impression with its strong, evocative themes. It has been suggested that Michelangelo left the statues in various stages of completion intentionally to encapsulate the human struggle to free itself from materialistic bondings. Whatever the case, you can make up your own mind after viewing them in the Hall of Prisoners.
Young Boy with Dog by Luigi Pampaloni
Luigi Pampaloni was met with universal praise when he presented his statue of the Young Boy with Dog in 1827. His sculpture is a fine example of the Neoclassical period, defined by simplicity of form and classical aesthetics. Watching the dog’s loving expression and the boy’s face lighting up is indeed a soothing experience for visitors of the Accademia Gallery.
Tenor Viola by Antonio Stradivari
The talented luthier Antonio Stradivari built the viola in 1690 for Tuscany’s grand prince Ferdinando I de’ Medici. It was a part of his Medici Quintet (featuring two violins, two violas, and a cello). The instrument is adorned with resplendent details like ivory and ebony inserts and the mother-of-pearl inlay, including the Medici coat-of-arms.
Marble Salterio by Michele Antonio Grandi
Built in 1700 by Michele Antonio Grandi, the Marbe salterio was a gift to Cosimo III de Medici. The unusual instrument is a plucked dulcimer which was common during the Baroque period. It is formed using three different qualities of marble for the soundboard, case, and the blocks. If you catch yourself wondering about the kind of sound it produced, rest assured that you are not alone.
Oval Spinetta by Bartolomeo Cristofori
The instrument built in 1690 was the creation of Bartolomeo Cristofori. He designed the oval spinet marked with pointed ends for his patron, Ferdinando I de’ Medici. The instrument served as a precursor to the piano, also invented by Cristofori. It is also noted as his oldest instrument to survive to the present day.
Serpentone by Lorenzo Cerino
The Serpentone is a wooden instrument designed by Lorenzo Cerino in 1799. Its elongated S-shape is marked with 6 holes along its length and has a mouthpiece on the top. It was played similarly to the flutes and clarinets of today.
Vertical Piano by Domenico del Mela
This remarkable vertical piano built in 1739 is one of the first vertical pianos ever built. Its inventor Domenico del Mela took inspiration from the vertical harpsichord designed by his predecessor, Bartolomeo Cristofori. It is worth a visit, if only for its reputation as the oldest upright piano preserved perfectly to this day.
The Lorenzo Bartolini Historical Archive
The archive contains a vast collection of letters related to art commissions, legal documents, and drafts from 1810 until 1850, the year of his death. Additionally, it offers a look at his personal notebooks which contain detailed drawings of his most cherished works. With a detailed inventory, the archive provides an insight into the last few decades of the famous sculptor’s life.
Gatti Krauss Donation
The Gatti Krauss Donation was started in honor of Alessandro Kraus, a prominent musicologist, collector, and anthropologist from the 19th century. The Accademia museum received a generous donation by his heir, Mirella Gatti-Kraus in 2008 and, since then, it has expanded the collection even further. Visitors can now skim through the vast collection of music monographs, around 200 volumes on music history, and some extremely rare opera librettos.
- Choose a combo ticket that allows you to visit Accademia and Uffizi Gallery for a discounted price.
- On weekdays, arrive either early in the morning or late in the evening to beat the crowd.
- Take advantage of free entry available on the first Sunday of every month.
- Begin your tour of the Accademia Gallery from the top floor and work your way down.
- Visit during the off-season from October to April to avoid large crowds.
- Opt for a tour guide to get the latest up-to-date information on the artworks.
Frequently Asked Questions About Accademia Gallery Artworks
Coronation of the Virgin by Jacopo di Cione, Annunciation by Allori, Venus and Cupid by Pontormo are among the most famous paintings at Accademia Gallery.
Michelangelo’s David and Giambologna’s Rape of the Sabine Women are arguably the most famous sculptures at the Accademia Gallery.
The Accademia Gallery currently houses 50 musical instruments dating from the 17th to 19th century.
The archives dedicated to Florentine sculptor Lorenzo Bartolini and musicologist Alessandro Krauss are on display at the Accademia Gallery.
The Accademia gallery artworks comprise paintings, sculptures, musical instruments and historical archives, predominantly from Florentine artists.
The Statue of David, Rape of the Sabine Women, the Trebbio Altarpiece, Tree of life are some of the best artworks from the Accademia collection.
The Accademia Gallery is famous around the world for the colossal Michelangelo masterpiece, the Statue of David.
The average price for Accademia tickets is 12€. But, EU citizens between 18-25 years can avail the tickets for 2€